More Than an Angel: The Lasting Legacy of Farrah Fawcett
|After her success on Charlie’s Angels, Farrah Fawcett became a huge celebrity, with her iconic hairstyle and pin-up image boosting her fame. However, this period also brought challenges, including a multi-million dollar lawsuit with her former company and a turbulent relationship with actor Ryan O’Neal in the 1990s.
One of the most poignant moments in Farrah Fawcett’s life came when an unexpected discovery led her to make the tough choice to end her relationship with Ryan O’Neal. Discover the lesser-known aspects of this beloved actress’s life here!
Farrah Fawcett was born on February 2, 1947, in Corpus Christi, Texas, to Pauline, a stay-at-home mom, and Jim, an oil field contractor. Originally named Ferrah, meaning “joy” in Arabic, she later chose to change her name to Farrah.
Farrah Fawcett grew up as a mesmerizing beauty, even described by her mother, Pauline, as a “golden girl.” Pauline told Texas Monthly that whenever she brought Farrah to a store, shoppers would pause, calling her an “angel.” Neighboring kids would often visit just to see her. However, this attention wasn’t always easy for Farrah; while aware of her beauty, she often felt self-conscious. Pauline recalled Farrah saying, “I wanted people not to look at me because so many people kept looking at me.”
Farrah Fawcett’s striking appearance played a major role in her life, winning her the “Most Beautiful” title in high school for three years and again in her first year at the University of Texas. Initially studying microbiology and art, her path changed after a photo of her, chosen as one of the “Ten Most Beautiful” at the university, caught the attention of Hollywood PR expert David Mirisch. Mirisch, captivated by her beauty, called her during class to persuade her to drop out and pursue a modeling career in Los Angeles, urging her to take a chance on Hollywood despite her request for him to consult her father.
After finishing her junior year, Farrah Fawcett decided to make a brief trip to Los Angeles to experience the city before returning to complete her studies. But her plan to return to Texas never materialized. Once in L.A., she quickly secured a deal with Screen Gems, earning around $360 per week, and began working for brands like Max Factor, Mercury Cougar Cars, Wela Balsam, and Ultra-Brite toothpaste.
Farrah’s career as a model soon expanded to acting, landing her magazine covers and, by the mid-1960s, roles in popular television series like I Dream of Jeannie, The Partridge Family, and The Flying Nun. Her career steadily grew until 1976, when she achieved global fame with two major projects.
In 1975, producer Aaron Spelling cast Farrah Fawcett in the TV movie Murder on Flight 502 and was captivated by her performance. This led him to cast her in his new series, Charlie’s Angels, which centered on three female detectives. Spelling noted in his memoir A Prime-Time Life that Farrah was the ideal “California beach-girl type”—”drop-dead gorgeous” and the epitome of the L.A. blonde.
Charlie’s Angels debuted in September 1976, and while it faced some criticism, audiences loved it. Farrah starred as Jill Munroe alongside Kate Jackson and Jaclyn Smith, and Spelling believed she was key to the show’s success. Her iconic hairstyle became a signature, as Spelling recalled, “It became one of our signatures.”
Like her father, Lisa Marie Presley has pursued a musical career and remained in the public eye. Her four marriages, especially to Michael Jackson and Nicolas Cage, have attracted significant media attention.
Meanwhile, Farrah Fawcett’s hairstyle became an iconic symbol. The Times, as quoted by Texas Monthly, described it as “a feathered, highlighted, layered phenomenon,” embodying carefree perfection. Fawcett’s hair represented a generation of women in early liberation—strong, confident, and joyous—before the responsibilities of life set in.
Despite the success of Charlie’s Angels, Farrah Fawcett grew dissatisfied after just one season, feeling that the demanding production schedule and the scripts needed improvement. She ultimately declared her contract void and decided to leave the show.
After Farrah Fawcett left Charlie’s Angels, a $7 million breach of contract case was filed against her. As part of a settlement, she agreed to return for six additional episodes. Although she appeared in only 29 of the show’s 115 episodes, she remained the biggest star.
Farrah explained her departure by saying, “I left Charlie’s Angels because I felt creatively stifled.” When she returned, she had more input, working with the writers and director to improve the scripts. Reflecting on the experience, she shared, “I could treat it like a business. I was hurt at first because I was sued… I read things in the press that hurt, like things that girls had said. All of that is past now. We are all friends again. I feel much better.”
In 1976, alongside her role on Charlie’s Angels, Farrah Fawcett became a cultural icon thanks to a poster of her in a red one-piece swimsuit. The image became one of the best-selling posters of all time, playing a major role in her rise to international fame. Mike Pingel noted that “something like 12 million boys” had the poster on their walls, making her signature look—big hair, big smile, and bathing suit—unavoidable.
However, with international recognition came its challenges. In a 1979 interview, Farrah expressed her frustration with the media’s portrayal of her, acknowledging that writers often created sensationalized stories for popularity. She shared her longing for simple pleasures like shopping or going to the movies without the constant scrutiny of the public. Farrah lamented the loss of privacy, highlighting the difficulty of enjoying quiet moments, such as dinner with friends, under the relentless gaze of the media.
Despite her desire to have more control over her life and brand, Farrah Fawcett found Hollywood’s harsh environment challenging when it came to maintaining a sense of normalcy in both her public and private life. She expressed discomfort with how her image was exploited, particularly in merchandising, such as bedsheets, which were tied to her fame without her consent.
As the 1980s began, her television career faced difficulties, with roles that didn’t allow her to showcase her full acting potential. However, in 1984, Farrah turned a corner with her role in The Burning Bed, a television movie that earned her widespread acclaim and an Emmy nomination for Outstanding Lead Actress. This success marked a turning point in her career, leading to further Emmy nominations for her roles in Small Sacrifices (1989) and The Guardian (2001).
While her professional life flourished, Farrah’s personal life remained turbulent. She was married to actor Lee Majors from 1973 to 1982, and had several other high-profile relationships, including one with Canadian director James Orr.
In 1979, actor Ryan O’Neal first met Farrah Fawcett, describing her as “delightful, full of childlike warmth” in his 2012 memoir Both of Us: My Life with Farrah. O’Neal became enamored with Farrah, and after her then-husband Lee Majors asked him to take her to dinner while he was away, a romantic relationship between O’Neal and Fawcett began.
As their relationship deepened, O’Neal became part of the inner circle of Farrah and Lee Majors. However, as Majors and Fawcett’s marriage began to deteriorate, O’Neal found himself caught in the middle of their struggles. Despite rumors about the marriage being over, O’Neal believed they were still a great couple. He recalled an instance where Fawcett confronted Majors about a past incident, revealing the growing tension in their relationship.
Although Lee Majors and Farrah Fawcett didn’t officially divorce until 1982, they had already separated by 1979. Despite O’Neal being a close friend of Majors, Farrah and Ryan were open about their relationship, even sharing a kiss in front of reporters. O’Neal stated, “Farrah and I have no plans to marry — nor do we have plans to separate. Don’t fix what ain’t broken.”
In 1985, Farrah and Ryan welcomed their son, Redmond O’Neal. However, their relationship eventually ended. Rumors circulated around 1997 that Farrah saw O’Neal dating Leslie Ann Stefanso. They officially divorced in 1998 but reconciled in 2001 after O’Neal was diagnosed with leukemia. In 2006, when Farrah was diagnosed with cancer, O’Neal devoted himself to caring for her, famously saying, “The hair is gone,” as he supported her during her difficult battle.
Farrah Fawcett passed away on June 25, 2009, at the age of 62, after a courageous battle with cancer. Ryan O’Neal, her long-time partner, shared the intimate details of her final moments in his memoir Both of Us: My Life With Farrah. He described how, after the priest left, he lay down next to her, wrapped his body around her to keep her warm, and held her hand as her pulse slowly faded. He expressed that she “tried to let go” before her heartbeat slowed and eventually stopped.
O’Neal reflected on the profound loss, describing how he would never know a world without Farrah. “Cancer is an insidious enemy,” he said, acknowledging the deep emotional toll her death took on him. Farrah’s son, Redmond, also lost his mother, and the world lost a magnificent star. At the time of her passing, Farrah’s estimated net worth was $20 million.
O’Neal fondly remembered her famous hair, even keeping it at home after her death. He recalled rubbing her head and how she never had vanity about it, saying, “She doesn’t have a vanity about it.” For him, their story was a love story, one that he would never be able to fully play out without her.
Ryan O’Neal continues to reflect with regret on his past relationship with Farrah Fawcett, expressing deep remorse for the way he behaved during their time together. After spending three decades with her, he wished he had been kinder, more understanding, and more mature, stating that he would have changed many things. He even wondered if part of her cancer could have been related to the difficulties they faced in their relationship, although he acknowledged that there was never a day he didn’t love her.
Farrah Fawcett’s legacy as a Hollywood icon is secured by her many memorable performances, and she will always be remembered for her impact on cinema. Her story, her strength, and her beauty continue to resonate, and sharing her legacy with loved ones is a way to honor her enduring contribution to the world.